Wow. Talk about obscure.
Philippe de Broca's relatively unknown 1962 swashbuckler Cartouche is on tap for my (and, hopefully, my significant other's) viewing pleasure...and I'm still wondering why I put this one up so high in my queue. After all, I've always hated the ending--a real downer to an otherwise charming and exciting film.
And, no, it's not a warranted, dramatically necessary cinematic downer a la Carol Reed's magnificent The Third Man. In fact, it's completely pointless.
So I'm going to have to ask myself a question I've asked throughout (seemingly) eternity: If a flick is good almost all the way through but sputters at the end, can it still be considered a good film?
Another example of this is Nicolas Roeg's 1973 suspenser Don't Look Now. Wonderful stuff...until the ludicrous, frustrating ending.
How do I come to terms with these fundamentally flawed movies?
I'll have to watch Cartouche again to see if my tastes have changed. I'm not optimistic that they have...but you never know.
Anyway, I'll keep you posted.
September 20, 2009
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